Bean's past was a battle just to survive. He first appeared on the streets of Rotterdam, a tiny child with a mind leagues beyond anyone else. He knew he could not survive through strength; he used his tactical genius to gain acceptance into a children's gang, and then to help make that gang a template for success for all the others. He civilized them, and lived to grow older. T...(展开全部)

卢卡奇（1885-1971），匈牙利哲学家、美学家、文学理论与文学史家。毕业于布达佩斯大学。1923年发表的《历史和阶级意识》一书，被公认为“西方马克思主义”的第一部代表作。其主要著作有：《心灵和形式》、《海德堡艺术哲学》、《青年黑格尔与资本主义社会》、《存在主义还是马克思主义？》、《美学》等。

A classic work of Western Marxism, now back in print The Destruction of Reason is Lukács’s trenchant criticism of German philosophy after Marx and the role it played in the rise of National Socialism. Originally published in 1952, the book is a sustained and detailed polemic against post-Hegelian German philosophy and sociology from Kierkegaard to Heidegger. The Destruction of ...(展开全部)

卢卡奇（1885-1971），匈牙利哲学家、美学家、文学理论与文学史家。毕业于布达佩斯大学。1923年发表的《历史和阶级意识》一书，被公认为“西方马克思主义”的第一部代表作。其主要著作有：《心灵和形式》、《海德堡艺术哲学》、《青年黑格尔与资本主义社会》、《存在主义还是马克思主义？》、《美学》等。

A classic work of Western Marxism, now back in print The Destruction of Reason is Lukács’s trenchant criticism of German philosophy after Marx and the role it played in the rise of National Socialism. Originally published in 1952, the book is a sustained and detailed polemic against post-Hegelian German philosophy and sociology from Kierkegaard to Heidegger. The Destruction of ...(展开全部)

"Film criticism is exciting just because there is no formula to apply," Pauline Kael once observed, "just because you must use everything you are and everything you know." Between 1968 and 1991, as regular film reviewer for "The New Yorker," Kael used those formidable tools to shape the tastes of a generation, enthralling readers with her gift for capturing, with force and flue...(展开全部)

保利娜·凯尔（Pauline Kael，1919-2001） 美国著名影评人，在1968到1991年期间为《纽约客》撰写影评。20世纪下半叶最具影响力的媒体影评人。她的特点是诙谐、尖锐、一针见血。作为当时少有的女性评论家，她的文风深深影响了一代人对于女性作家的认知。罗杰·伊伯特称她“没有理论、没有规则、没有指导方针，也没有客观标准”，她的一切评论“都是个人化的”；“她远不止是一位伟大的评论家，她革新了这种文体，并且开创了一整套自己的写作美学”。 1970年，凯尔因其在《纽约客》出色的评论工作获得乔治·伯克奖。她的第四本文集《深入电影》（Deeper Into Movies，1973年）是唯一一部以影评写作获得美国国家图书奖的作品。

For the last twenty years, The Destruction of the Bison has been an essential work in environmental history. Andrew C. Isenberg offers a concise analysis of the near-extinction of the North American bison population from an estimated 30 million in 1800 to fewer than 1000 a century later. His wide-ranging, interdisciplinary study carefully considers the multiple causes, cultural...(展开全部)

西蒙·蒙蒂菲奥里（Simon Sebag Montefiore），1965年在英国出生，知名历史学家，英国皇家文学学会研究员。他曾在剑桥大学攻读历史专业，著有多部历史类著作。其作品被翻译成约50种语言，先后斩获英国科斯塔传记奖、美国《洛杉矶时报》传记图书奖、等众多大奖。著有《耶路撒冷三千年》等经典历史巨著。

道格拉斯•普雷斯顿：曾任美国国家历史博物馆编辑及撰稿人，普林斯顿大学写作课程教授，《纽约客》《自然历史》《国家地理》《哈泼斯》《史密森尼》和《大西洋月刊》特约撰稿人。他创作了多部广受好评的非虚构类作品。 马里奥•斯佩齐：意大利著名记者，曾报道意大利历史上多宗刑事要案，其中一些牵涉到恐怖主义和黑手党。他从一开始便参与调查“佛罗伦萨的恶魔案”，曾出版过多部虚构类作品和非虚构类作品。